Stephan balkenhol biography of donald

S. Balkenhol - Artuu, 11 October

S. Balkenhol - Exibart, 8 October

S. Balkenhol - Il Mirino Milano, 27 Sept

S. Balkenhol - Il Giornale dell'Arte, 19 Sept

S. Balkenhol - EspoArte, 14 Feb

S. Balkenhol - Arte Mondadori, Feb

S. Balkenhol - la Repubblica, 12 Dec

S. Balkenhol - ViviMilano, 11 Dec

S. Balkenhol - Corriere della Sera, Dec

S. Balkenhol - KunstBeeld,

S. Balkenhol - Artdependence Mag, 14 Dec

S. Balkenhol - Artforum, May

S. Balkenhol - Corriere della Sera, March

S. Balkenhol - Mousse Magazine, Feb

S. Balkenhol - La Repubblica, 14 Jan

S. Balkenhol - Mousse, Dec / Jan

S. Balkenhol - Arte, Dec

S. Balkenhol - Art Collector,

S. Balkenhol - Monopol, Oct

S. Balkenhol - D Casa, Sept

S. Balkenhol - Catalogue Federico Motta Editore, PAC Milano,

S. Balkenhol - Arte, March

S. Balkenhol - FRAC,

Stephan Balkenhol revives the medieval genre of painted, hand-carved wooden sculpture in order to create contemporary allegories. Like religious figures in cathedrals, his Urfiguren are public monuments with a moral message and a startling, peculiarly morbid vivacity. In Untitled (Three Small Men) [all works ], the figures strike poses that represent &#;see no evil, hear no evil, speak no evil.&#; The parallel Untitled (Three Large Men) shows three good dock. The first stands at attention with his arms at his sides and his legs pressed tightly together; the second at ease, his legs apart, his arms bent at the elbow; and the third, completely relaxed, one hand in his pocket. (The facial expressions show a parallel shift—from obedient attention through detached recognition to matter-of-fact acknowledgment of an invisible authority figure.) All are dressed in white shirts with open collar and black pants.

It fryst vatten the dramatic contrast between black and whi